what was your reaction to the conversation that richard and dickie have in dickie bedroom
Dickie Greenleaf, an associate of Tom Ripley's, is the cool, vain heir to a shipbuilding company who has absconded to Italia in order to alive a life of luxury far from the watchful gaze of his overbearing parents. Dickie barely remembers Tom upon his arrival, but he nonetheless invites Tom to join his and his girlfriend Marge's small social circle in Mongibello. Dickie's luxurious, maverick life is filled with lavish dinners, parties, trips, and possessions, which inspires awe and jealousy in the naïve, covetous, and sexually conflicted Tom. Tom's obsession leads him to murder Dickie on a boat in San Remo, sink his trunk, and assume his identity by claiming his valuable wearing apparel and rings. Though he feels no remorse for the murder, Tom is vaguely haunted by visions of Dickie, drenched and alive, screaming, "I swam!" Dickie is physically absent-minded for a sizable portion of the novel, but his presence inhabits nearly every page, and his influence over Tom, even in decease, creates a whirlpool of deceit and greed. Dickie embodies themes of wealth, luxury, backlog, and escape.
Richard "Dickie" Greenleaf Quotes in The Talented Mr. Ripley
The The Talented Mr. Ripley quotes below are all either spoken by Richard "Dickie" Greenleaf or refer to Richard "Dickie" Greenleaf. For each quote, you can also encounter the other characters and themes related to information technology (each theme is indicated by its own dot and icon, similar this one:
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Tom's eye took a sudden leap. He put on an expression of reflection. Information technology was a possibility. Something in him had smelled it out and leapt at it even earlier his brain. He wanted to leave New York. "I might," he said carefully, with the same pondering expression, equally if he were even now going over the thousands of little ties that could forestall him. Tom stared at the gold signet ring with the nearly worn-away crest on Mr. Greenleaf's pinkie. "I think I might."
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"And these—a lot of landscapes," Dickie said with a deprecatory laugh, though obviously he wanted Tom to say something complimentary about them, because obviously he was proud of them. They were all wild and jerky and monotonously similar. "My surrealist effort," Dickie said, bracing another canvas against his knee. Tom winced with almost a personal shame. It was Marge, undoubtedly, though with long snakelike pilus, and worst of all two horizons in her eyes, with a miniature landscape of Mongibello's houses and mountains in one middle, and the beach in the other full of petty reddish people. "Yes, I like that," Tom said. It gave Dickie something to do, but as information technology gave thousands of lousy amateur painters all over something to do. He was sorry that Dickie fell into this category every bit a painter, considering he wanted Dickie to be much more.
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Dickie walked in his slouching, downhill gait that made his bony knees jut out in front of him, a gait that Tom had unconsciously adopted, too.
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He suddenly felt that Dickie was embracing her, or at least touching her, at this minute, and partly he wanted to run across it, and partly he loathed the idea of seeing it. He turned and walked dorsum to Marge'due south gate. Tom stopped as Marge's window came into view: Dickie's arm was effectually her waist. Dickie was kissing her. Marge's face was tipped up to Dickie's, and what disgusted Tom was that he knew Dickie didn't mean information technology. What disgusted him was the big bulge of her behind in the peasant skirt below Dickie'southward arm that circled her waist. Tom turned away and ran down the steps, wanting to scream.
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You were supposed to see the soul through the eyes, to see honey through the optics, the one place you could look at some other human being and run across what really went on inside, and in Dickie's optics Tom saw nothing more now than he would have seen if he had looked at the difficult, bloodless surface of a mirror. Information technology was as if Dickie had been suddenly snatched away from him. They were not friends. They didn't know each other.
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Tom sat opposite [Dickie], staring at his easily with the light-green band and the gilt signet ring. A crazy emotion of hate, of affection, of impatience and frustration was swelling in him. He wanted to kill Dickie. Information technology was non the get-go time he had thought of it. He had failed with Dickie, in every mode. He hated Dickie. He had offered Dickie friendship, companionship, everything he had to offer, and Dickie had replied with ingratitude and now hostility. If he killed him on this trip, he could simply say that some accident had happened. He could—He had simply idea of something brilliant: he could go Dickie Greenleaf. The danger of it, even the inevitable temporariness of information technology, only made him more enthusiastic. He began to remember of how.
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This was the clean slate he had idea about on the boat coming over from America. This was the real annihilation of his past and of himself, Tom Ripley, who was made up of that past, and his rebirth as a completely new person… He felt as he had on the send, but more intensely, full of goodwill, a gentleman, with nada in his past to blotch his character.
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Tom saw Dickie smiling at him, dressed in the corduroy suit that he had worn in San Remo. The suit was soaking wet, the necktie a dripping cord. Dickie aptitude over him, shaking him. "I swam!" he said. "Tom, wake upwardly! I'm all right! I swam! I'yard alive!" Tom squirmed away from his touch. He heard Dickie laugh at him, Dickie'south happy, deep laugh. "Tom!" The timbre of the voice was deeper, richer, better than Tom had even been able to make information technology in his imitations. "I swam!" Dickie's voice shouted, ringing and ringing in Tom's ears as if he heard it through a long tunnel.
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What had he said nearly risks? Risks were what made the whole matter fun. [And] anticipation! It occurred to him that his anticipation was more pleasant to him than his experiencing. Was information technology always going to be like that? When he spent evenings solitary, handling Dickie's possessions, simply looking at his rings on his own fingers, or his woolen ties, or his black alligator wallet, was that experiencing or anticipation?
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He definitely wanted to see Greece. He wanted to encounter Greece as Dickie Greenleaf with Dickie's money, Dickie's clothes, Dickie's way of behaving with strangers. The idea of going to Hellenic republic, trudging over the Acropolis as Tom Ripley, American tourist, held no charm for him at all. He would as soon not go.Tears came in his optics as he stared upwards at the cathedral, and then he turned away and began to walk downward a new street.
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In a mode it was request for trouble, Tom thought. But that was the mood he was in. The very chanciness of trying for all of Dickie's money, the peril of it, was irresistible to him.
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Richard "Dickie" Greenleaf Character Timeline in The Talented Mr. Ripley
The timeline below shows where the grapheme Richard "Dickie" Greenleaf appears in The Talented Mr. Ripley. The colored dots and icons bespeak which themes are associated with that appearance.
...he recognizes Tom as a friend of his son, Richard Greenleaf, known past everyone as "Dickie." Tom remembers Dickie, with whom he was once casually acquainted and whose Park Avenue apartment... (full context)
Tom and Herbert movement to a table, where Herbert asks whether Tom and Dickie are still in touch on, and explains that Dickie has run away to Italy to pigment.... (full context)
Later the meal, Herbert and Emily show Tom a photograph album full of pictures of Dickie—one picture, taken in Italy, features an American woman named Marge Sherwood. Emily becomes emotional, and... (total context)
...Tom picks upwardly several things from Brooks Brothers that he's been instructed to take to Dickie. He chooses the things that he thinks Dickie will most similar, and charges them to... (full context)
...excited to outset a new life, and he envisions, even if his mission to bring Dickie home fails, staying on in Europe. (full context)
Tom writes letters to the Greenleafs, agreeable himself by adding imagined accounts of Dickie's life in Europe. He does non send these fanciful messages, which are full of somewhat... (full context)
...a bus to Mongibello. He asks some locals to betoken him in the direction of Dickie'due south house, and they indicate that Dickie is at the beach. Tom purchases a bathing suit... (full context)
Later a swim, Dickie invites Tom up to his house for luncheon—Marge joins them. Tom and Dickie discuss Dickie'due south... (full context)
From his hotel room, Tom, sick with an upset tummy, observes Dickie and Marge equally they make their manner down a nearby street. Tom "curses himself for... (full context)
...days alone and sick in the hotel, Tom goes downwards to the embankment to find Dickie. Subsequently a quick dip, Tom invites Dickie to his hotel, in order to give him... (full context)
Sensing that Dickie has grown colder and is about to leave forever, Tom confesses that Herbert sent him... (total context)
Dickie invites Tom to lunch, just offset the two stop by Marge's business firm to come across if... (full context)
The 3 head to Dickie's dwelling for dejeuner, and Tom describes his many talents—for forgery, figures, and impersonating "practically everyone."... (full context)
Tom suggests he and Dickie get to Naples. Dickie tells him that he and Marge are planning to go on... (full context)
The next morning, Tom moves in. Later on his holding are settled in Dickie's house, the ii of them head for the jitney to Naples. On the way, they... (full context)
The next day, Tom and Dickie return to Mongibello. Marge is "annoyed" with Dickie for staying out without telling her. Tom... (total context)
Tom has been with Dickie "every moment since he moved into Dickie's firm." Over the course of the few days... (full context)
Dickie goes upwards to Marge'south house, hoping to reassure her and to invite her to Cortina.... (full context)
Although in the past few weeks Dickie has welcomingly lent Tom his clothes, he asks Tom to "become out" of his outfit.... (full context)
Tom attempts to reassure himself of Dickie'due south affections while Dickie spends the afternoon painting. Past five o' clock Tom feels that things... (full context)
Tom approaches Dickie with an offering to travel to Paris "in a coffin." An Italian man has offered... (total context)
Tom heads home while Dickie goes off to visit Marge. On the way back to the house, Tom stops and... (full context)
Marge declines Tom and Dickie's invitation to San Remo, simply asks them to choice upwards a special cologne for her... (full context)
On the beach in Cannes, Tom and Dickie spot a group of men making a human pyramid, and Dickie makes reference to them... (full context)
That afternoon, Tom and Dickie leave for San Remo. Dickie sleeps on the train, and Tom stares at him as... (total context)
...Remo, Tom suggests that the two of them accept a gunkhole out into the bay. Dickie agrees, and they hire a gunkhole and gear up off. Though Tom is afraid of h2o,... (full context)
Dickie slows the boat'southward motor so that Tom can jump in for a swim, and, when... (full context)
While attempting to sink Dickie's body, Tom accidentally starts the gunkhole's motor and falls into the h2o. He panics, but... (total context)
...and he begins to embrace upwards the murder. He cleans his bloodstained clothes and packs Dickie'due south purse "merely equally Dickie had ever packed it." He then catches a railroad train south, and,... (full context)
...in Mongibello, Tom immediately runs into Marge, dressed in her bathing adjust. She asks where Dickie is, and Tom replies that Dickie has gone to Rome, and that he is here... (full context)
Marge leaves to go to the beach, and Tom sets upon Dickie's things. He dresses himself in Dickie's apparel, collects Dickie'south recent letters, packs Dickie's suitcases, and... (full context)
...up the packing, Marge stops by. Tom tells her that he's received a letter from Dickie stating Dickie's intent to movement to Rome indefinitely, and that Tom should collect "all he... (full context)
...there is nothing in the papers. He finds solace in remembering that neither he nor Dickie gave their names to the boatmaster in San Remo. After an espresso at the local... (total context)
One time in Rome, Tom writes Marge a letter of the alphabet from "Dickie," explaining that "he" doesn't want to see Marge for a while in hopes that he... (total context)
Tom realizes that he showed Dickie's passport at the hotel'southward front desk-bound instead of his ain—by fault, only without incident. He... (full context)
...his new room, he holds "imaginary conversations" with Fausto, Freddie, and Marge—practicing his imitation of Dickie, in case whatsoever one of them calls him on the phone. He practices "jumping into... (total context)
...at apartments—it is "incommunicable ever to be solitary or bored so long as he is Dickie Greenleaf." He collects Dickie's mail at American Express—there is a letter from Marge, in which... (full context)
Tom writes a letter of the alphabet to Herbert and Emily Greenleaf equally Dickie, telling them he is looking for an flat in Rome and will be studying with... (full context)
...thrilled by the idea that, while sitting at a café, someone might recognize him as Dickie. He thinks of "tomorrow and tomorrow and tomorrow beingness Dickie Greenleaf," relishing his possession of... (total context)
...and plans to send her unfinished book to a publisher. Tom returns her letter as Dickie, telling her that "Tom Ripley" has left Europe. He says that he—Dickie—is still hunting for... (full context)
...He is conscientious, though, to keep himself from learning some of its proper usages, as Dickie oft misused tenses here and there. Tom decorates his apartment with the help of Signora... (total context)
...door. He answers it to notice Freddie Miles in the hall. Tom quickly slips off Dickie's rings, greeting Freddie and telling him that Dickie is out of the apartment and should... (full context)
...descends the stairs, and he hears Freddie run into Signora Buffi, who insists that only "Signor Greenleaf" is upstairs and has not yet gone out today. Tom hears Freddie' footsteps coming back... (full context)
...keys and a wallet, Tom concocts a plan to make the room wait every bit if Dickie and Freddie enjoyed an afternoon of heavy drinking. As Tom stares at Freddie'due south lifeless corpse,... (full context)
...he can depart for the train, the telephone rings. It is the constabulary, asking if "Dickie" is friends with an American named "Fred-derick Meelays." The police explicate that Freddie'due south corpse has... (full context)
Fausto calls for Dickie, telling him that he's in town and wants to have lunch. Tom, equally Dickie, tells... (full context)
The constabulary arrive to interrogate "Dickie." Tom answers their questions and offers to comply with annihilation the officers need, just he... (full context)
...it volition be assumed to be Tom Ripley'south body, since Tom has been living as Dickie and has all only abandoned his identity as Tom. Dickie will and then exist a suspect... (full context)
...the bed and begins to autumn asleep. As he does, he experiences a vision of Dickie "soaking wet, bent over him" and screaming, joyfully and maniacally, "'I swam! I'm alive!'" Tom... (full context)
...ii policemen downstairs, and Tom instructs the concierge to send them upwardly. The police, interviewing "Dickie," ask him if he is enlightened of the whereabouts of Tom Ripley. They recollect he... (total context)
...rings, and Tom answers it—it'due south Marge. He tells her that he is getting dressed and Dickie is out at the police station, answering some questions. He tells her to wait for... (full context)
...and heads to his hotel—when he arrives, he asks if there are any letters for Dickie, just again, in that location are none. (total context)
Tom considers writing a letter to Marge telling her that he and Dickie are "very happy together." He amuses himself at the thought, then begins to worry that... (full context)
...pleasant to him than experiencing," and he wonders if "when he spends evenings lone, handling Dickie's possessions, is that experiencing or anticipation?" Tom wants to travel to Greece, only the thought... (full context)
The next forenoon there is a letter from Marge to Dickie, request him to "acknowledge that he can't live without his little chum," and pitying him... (full context)
...remainder of his morning composing a letter to the Greenleafs, realizing that his vox as Dickie flows more than freely than his vocalisation as Tom ever did. (full context)
Two messages make it: ane from Dickie's banking company in Naples and one from his trust company in New York. The letters call... (total context)
A letter arrives for Dickie, "urgently" requesting that he come to Rome to respond some questions concerning Tom Ripley. Tom... (full context)
The side by side morning, Tom wakes seized by the an idea: he volition check all of Dickie's holding at the American Express under a different name once he returns to Italy, and... (full context)
...On the 2d page of one of the papers, a headline describes the search for Dickie Greenleaf, who is missing after a "Sicilian vacation." Tom considers "playing himself up a little... (full context)
The following morn, the papers say that Dickie is "exposing himself to suspicion of participation" and must present himself to the government in... (full context)
The tenente questions Tom equally to the last place he saw Dickie, and every bit to where he himself has been. When the tenente tells Tom that in that location... (total context)
...not to be opened for several months. Inside it should be a will signed by Dickie, bequeathing Tom his coin and his income." (total context)
Tom writes a letter to Herbert stating that he "feels Dickie may take killed himself." He receives a alphabetic character from Marge—who is in Munich—declining a previous... (full context)
Dickie'south disappearance—and possible expiry—is still frequently referenced in the papers, and the police continue to "comb"... (full context)
Tom feels cocky-confident every bit of late; so confident, in fact, that he has composed Dickie's "volition," and signed information technology in Dickie'south hand. He places the volition in a pocket of... (full context)
The papers feature a small story near Dickie's banking concern messages, revealing that they believe the perpetrator of Dickie's murder must have been close... (full context)
...firm of Contessa, Roberta (Titi) della Latta-Cacciaguerra. At each political party, people ask him incessantly about Dickie—whether he was in love with Marge, and what could possibly have happened to him. (full context)
...tin can muster. Over lunch, Marge "quizzes Tom more acutely than any police officeholder" as to Dickie'southward country of listen the last fourth dimension they saw each other, and she begs Tom to... (full context)
Later that night, Tom calls Herbert from a friend's house—Herbert believes that Dickie is dead, and, because he has "never thought much of Dickie'due south stability," he agrees with... (full context)
...Marge have a java and read the papers. Information technology is a rare morn; nothing nigh Dickie or Freddie's murder is in the papers at all. Marge and Tom become to the... (full context)
...knows Herbert will desire to "quiz" him. Herbert asks Tom if he thinks that perhaps Dickie is hiding out at an obscure hotel or somewhere in the countryside—Tom states that it... (full context)
...feels that they will just be in that location as a spectacle—equally friends of the famous, missing Dickie Greenleaf. Tom is preoccupied at the party, worried by the impending arrival of Herbert'southward private... (full context)
...that he volition stay in Europe "forever." He treasures evenings spent looking over his and Dickie's possessions, and poring over maps and guidebooks. Attached to his life of leisure abroad, he... (full context)
Marge enters the room holding a chocolate-brown leather box containing Dickie'due south rings, which she discovered when looking for thread to stitch her bra up. When Tom... (full context)
...she hangs up, she tells Tom that Herbert now agrees that "it looks equally if Dickie meant to kill himself." Tom showers and dresses, and and so the telephone rings. Marge answers... (total context)
...McCarron, are waiting for them. Marge hands the rings over, and McCarron asks Tom when Dickie gave them to him. Tom replies, "a few days afterward the murder of Freddie Miles."... (full context)
McCarron goes over the facts of Dickie's "disappearance" again, including the forgeries and the intricacies of Tom, Marge, and Dickie'southward friendship. McCarron... (full context)
The next day, McCarron calls Tom to ask for the names of all of Dickie's acquaintances in Mongibello, and whether or non he knew anybody in Rome or Naples. Afterward... (total context)
...his intent to return to u.s.a. at the end of the calendar week, stating that Dickie is either dead or deliberately hiding and continuing the search is futile. (full context)
...downward in tears, regretting his mistakes and mourning the life he "could accept lived with Dickie." (full context)
Tom writes a letter to Herbert in which he describes finding Dickie's "will," which was "given" to him some fourth dimension ago in Rome. He apologizes for not... (total context)
Tom visits the countess Titi, who tells him that the afternoon papers are saying that Dickie'due south suitcases and paintings have been found "right here in the American Limited in Venice." The... (full context)
After several days, Tom has received no correspondence from Tenente Roverini in regards to Dickie'south possessions having turned up in Venice. Tom is sleepless and nervous, expecting "the constabulary to... (total context)
...tomorrow and that, by that time, the authorities "might know that the fingerprints were non Dickie's." If they take Tom's own fingerprints, Tom knows that "both murders will come up out as... (total context)
...his luggage. A headline in one of the newspapers states that the fingerprints found on Dickie's suitcases are identical to the fingerprints found throughout his apartment in Rome, and "there is... (full context)
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